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Claire Ritchie in her home studio. Photo © Susan Fitzgerald 2017.
Claire Ritchie in her home studio. Photo © Susan Fitzgerald 2017.

Studio Space: Claire Ritchie

September 26, 2017
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Claire Ritchie is a Melbourne-based designer/maker of bright, colourful prints, patterns and textiles. If you follow her on Instagram you'll instantly recognise her work - there are lots of florals, rainbows and great colour palettes. I had the pleasure of hanging out with Claire, her youngest daughter Freya and their very affectionate dog Fox for an afternoon, drinking tea and chatting. Oh yeah, and taking some photos.

Claire is originally from Fremantle, WA and then moved to Geelong, but in the last couple of years she's been in Melbourne's inner north. She works from her home studio, which sits in the middle of the sweet old rambling house she shares with her partner, their two daughters and Fox, the hound.

Claire's work often starts out as drawings in her sketch book and some of her hand drawn patterns are made using Posca pens - what a blast from the past for me! Her designs are then digitally printed onto ecofriendly, sustainable fabric which Claire sews into purses, clutches, hats and aprons. She soon plans launching a small line of clothing - you can see some samples in the photos below. Claire's mum had a big influence on her - she hand printed textiles and worked as a seamstress and sewer. She also had what Claire remembers as being a dream workspace, which I'm sure will be Claire's children's memory of this workspace.

Here are some snaps of Claire's space, which looks pretty dreamy to me. Oh, and I'm trialling putting photos in a slideshow, and you can hover for captions. I'd love to know if you think this works or not - feel free to send through any feedback here :)

Claire's desk gets lovely natural light. Photo © Susan Fitzgerald 2017.
Claire's desk gets lovely natural light. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Claire at work in her studio. Photo © Susan Fitzgerald 2017.
Claire at work in her studio. Photo © Susan Fitzgerald 2017.
Claire's desk setup. Photo © Susan Fitzgerald 2017.
Claire's desk setup. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Samples from Claire's upcoming line of clothing. Photo © Susan Fitzgerald 2017.
Samples from Claire's upcoming line of clothing. Photo © Susan Fitzgerald 2017.
Claire and Freya in the studio. Photo © Susan Fitzgerald 2017.
Claire and Freya in the studio. Photo © Susan Fitzgerald 2017.
Posca! Photo © Susan Fitzgerald 2017.
Posca! Photo © Susan Fitzgerald 2017.
A pin cushion Claire made, using scraps of her fabric. And some Tsuno tampons that just arrived in the mail, with packaging designed by Andrea Shaw. Photo © Susan Fitzgerald 2017.
A pin cushion Claire made, using scraps of her fabric. And some Tsuno tampons that just arrived in the mail, with packaging designed by Andrea Shaw. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Stacks! Photo © Susan Fitzgerald 2017.
Stacks! Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Claire in her cute kitchen, making tea! Photo © Susan Fitzgerald 2017.
Claire in her cute kitchen, making tea! Photo © Susan Fitzgerald 2017.
Claire and Freya, who got up to some mischief while we were distracted! Photo © Susan Fitzgerald 2017.
Claire and Freya, who got up to some mischief while we were distracted! Photo © Susan Fitzgerald 2017.

CLAIRE RITCHIE: Q&A

How long have you been in your current workspace and where did you work from previously? I’ve been here for about a year. I was working from the tiny, freezing sunroom at the back of our house before this. Then I realised I could take over the formal dinning room! I’ve always worked from a home studio.

Do you prefer working alone or with/near others? I do prefer working solo. I get so focused that I block everything and everyone out. I enjoy having people around though. It's nice to have visitors and to share my space sometimes to get a new perspective or to see how others work. You can get so used to working solo that when you do share your space you think, "Wow! This is fun!!" 

How many hours a week do you spend there? Ha ha, every minute I can!! No seriously I find myself floating into the studio at every opportunity. I do have two full days that I can solidly work. I have a six-year-old, Mila, and a two-year-old, Freya, so I’ve had to be smart about how I use my time. I do a lot on the weekends when my partner Dean is home. So it would probably be between about 20-30 hours depending on what's happening that week. Sometime I have to have a whole week off to spend with the girls. 

What's your favourite thing about the space? I love my desk! I feel like having the right desk can really change how you work. I have everything I need on it. Computer, drawing materials and I can move close to the window and get really good light or further away and work on the computer. I can stand or sit, which is great for switching between computer work and then cutting up fabric and pattern making. I do love my window too, which I frequently find myself staring out of. 

How, if at all, has a workspace (this or previous) influenced the way you work? Having everything I need in one space definitely makes me more productive. It's also got a lot of room to spread out and have everything out where I can see it. If I can't see what I'm working on I'll forget about it! Ha! It's also warm. My last space was freezing so I didn’t want to be in there as much. 

What does your dream space look like? I have always wanted an old milk bar as my studio space. I would love to have a shop front with an open studio at the back. I like the idea of opening up my space for people to see.

What inspires your work? (ie: the work of others, a ritual, nature, colours, dreams) Nature, big-time! Whether it's colour, texture, shape I am always the one looking out the window daydreaming or the one collecting all the leaves and flowers in a cute little basket. I get my kids to take a basket with them on our walks and I end up filling it up! 

I definitely feel inspired by people around me. I get really excited when I get to talk to other creatives. I feel like having a community of people around you who are like-minded can make a huge difference to your productivity. 

I love op shopping and vintage markets. I am really drawn to all the old vintage kitchen wares. The bright colours and pastels pop up in my work a lot. 

Do you have any tips for great things to do in your work hood? Walks to Merri Creek are great for getting a big gulp of fresh air. I’ll also pop out to my local op shop on Oakover Rd if I feel like I need some inspiration. And Vintage Garage is just down the road. High St. Thornbury isn’t far either and there are lots of great venues and shops to visit. Think Thornbury is a great little shop supporting local makers. I always pop in for a quick visit and then end up having awesome chats with Maggie or Josh, the owners. If I get coffee, mostly we make our own each morning but I will got to Ampersand or Short Round in Thornbury. Both venues have great plants to drool over. And on the other side of St Georges Rd in Thornbury I’ll head to Pearl Oyster. It is super chilled there and they are always smiling.

Finally, music or no music when you're working, or podcasts? If so, what/which? I have to have music. Especially when I’m drawing. I love how it affects what I’m doing. I’ve been listening to Bonobo a lot lately, and I’ve also gone back to an old favourite the Whitest Boy Alive. Their Dreams Album is ace. I also discovered, earlier in the year, a Fleetwood Mac album, before the girls joined the gang, called Men of the World: The Early Years. It is incredible and I couldn’t believe I hadn’t heard it before. If you opened my music right now you would see quite the mixture of different artists. All depends on how intensely I need to work! These are some… Flume, Bowie, Hermitude, Kaytranda, Big Scary, The Pharcyde, The Knife, A Tribe Called Quest and Massive Attack. Sometimes I will get up and have a little dance if I’m feeling good. 

Claire and a giant Posca! Photo © Susan Fitzgerald 2017.
Claire and a giant Posca! Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A floral pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A floral pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A geometric pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A geometric pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.

CLAIRE RITCHIE: LINKS

Website www.helloclaireritchie.com

Shop www.helloclaireritchie.com

Instagram www.instagram.com/claire__ritchie/ @claire__ritchie

Facebook www.instagram.com/claire__ritchie/ 

Pinterest au.pinterest.com/claire__ritchie/

Email helloclaireritchie@gmail.com

Thanks, Claire! And don't forget to follow Studio Space on Instagram: @studiospace_ #hellostudiospace or sign up to the mailing list below and be the first to find out about new studio visits.


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Words and photos © Susan Fitzgerald.

In Studio Space, Textiles, Melbourne, Homewares, Illustrator Tags Claire Ritchie
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Aliça Bryson-Haynes of RARA Studio. Photo © Susan Fitzgerald 2017.

Aliça Bryson-Haynes of RARA Studio. Photo © Susan Fitzgerald 2017.

Studio Space: RARA Studio

February 25, 2017

The first Studio Space for 2017 features RARA Studio, a Melbourne-based ceramic practice. Up until recently RARA Studio was a collaboration between Aliça Bryson-Haynes and Ria Green, but Ria has recently stepped aside to focus on her own art practice. The work features hand-built porcelain functional ware such as mugs, bowls, plates and spoons, along with decorative and jewellery pieces. Organic forms, pastel colours and geometric patterns are a common theme.

Aliça's studio is a sun-filled room in her home in Melbourne's inner north and she shares her workspace with three adorable studio mates - Jack Russell Teti and cats Claudia and Sybil. Aliça had moved into the house just two weeks before my visit but was all set up, with no unpacked boxes in sight. In fact, the house looked so great I just had to include some pictures of it too.

As a child, Aliça and her family moved around Australia and as an adult she's spent time living overseas, in the UK, France and Indonesia. She's been back in Melbourne for six years, the longest she's spent in one place.

Aliça's background is in painting and she completed a Bachelor of Arts with Honours in Fine Art in London, before returning to Melbourne to complete her Masters in Fine Art. She comes from a creative family and has a collection of treasured ceramic pieces created by her mother, grandmother and uncle. Aliça even learnt some ceramic skills from her mother, who practiced pottery when Aliça and her three brothers were children.

RARA STUDIO: Q&A

I know you've recently moved. How long have you been in your current workspace and where did you work from previously? I’ve been in the new place around two weeks but it feels like longer! I’ve been spending a lot of time nesting, which makes it feel like home. I used to live and work in Fairfield, in a cute old Californian bungalow in a north-facing studio out the back of the house. It was actually quite similar in feel to the current studio.

Do you prefer working alone or with/near others? I think my ideal is a bit of both. I really love collaborating and having someone to chat with and bounce ideas off and create things you couldn’t do by yourself. But I also love the freedom and quiet of working alone. Well, I’m never really alone, as the pets love spending time in the studio, keeping me company!

How many hours a week do you spend in your space? At the moment a lot – most days I’m in here working or popping to the post office or to Northcote Pottery to drop off or pick up something. I’ve been working on some custom orders, some new pieces for stockists and thinking about the year ahead.

What's your favourite thing about the space? I love the big north facing windows – the light is so lovely and as they are nice and low, the pets get a great view too! Lots of pink nana roses out the front to look at. I like the floorboards – we took up an old carpet when we moved in and were happy to find the boards in good condition. I’m also pretty excited about the new shelves that my partner helped me build! They are made of hardwood boards that I salvaged from a house that was being renovated in Fairfield and some old bricks leftover from an exhibition last year.

How, if at all, has your workspace (this or previous) influenced the way you work? I think having a workspace at home definitely has an influence on the way that I work or don’t work! I have to be pretty disciplined, so I don’t get distracted and decide to do some gardening or go back to bed, haha. But I really love working from home – it’s very relaxing, convenient and can be very productive. I can work as long as I want to, pop out to make tea or go for a walk with Teti to get some fresh air.

What does your dream space look like? I think my dream space would have a similar feel but be bigger, with heaps of wooden shelving and more plants! You can never have too many shelves or plants.

What inspires your work? There are lots of things that inspire me - nature, historical objects and a wide range of artists - particularly painters. I’ve always loved painting, especially the simplicity of minimalism and the softness and colour pallet of impressionism. A lot of it, especially the making of clay shapes, comes very naturally and I let my hands take the lead.

RARA STUDIO: LINKS

Website www.rarastudio.com

Shop http://rarastudio.bigcartel.com

Instagram www.instagram.com/hellorarastudio

Facebook www.facebook.com/hellorarastudio

And don't forget to follow Studio Space on Instagram: @studiospace_ #hellostudiospace

Aliça's desk. Photo © Susan Fitzgerald 2017.

Aliça's desk. Photo © Susan Fitzgerald 2017.

Bookshelf in Aliça's studio. Photo © Susan Fitzgerald 2017.

Bookshelf in Aliça's studio. Photo © Susan Fitzgerald 2017.

Studio bookshelves and Aliça's dog Teti. Photo © Susan Fitzgerald 2017.

Studio bookshelves and Aliça's dog Teti. Photo © Susan Fitzgerald 2017.

Aliça's desk. Photo © Susan Fitzgerald 2017.

Aliça's desk. Photo © Susan Fitzgerald 2017.

Aliça's desk. Photo © Susan Fitzgerald 2017.

Aliça's desk. Photo © Susan Fitzgerald 2017.

Giant studio monstera. Aliça's desk. Photo © Susan Fitzgerald 2017.

Giant studio monstera. Aliça's desk. Photo © Susan Fitzgerald 2017.

Illustration of Aliça and Teti the dog, by Seth Searle. Weaving by Ria Green. Photo © Susan Fitzgerald 2017.

Illustration of Aliça and Teti the dog, by Seth Searle. Weaving by Ria Green. Photo © Susan Fitzgerald 2017.

RARA Studio earrings. Photo © Susan Fitzgerald 2017.

RARA Studio earrings. Photo © Susan Fitzgerald 2017.

Some RARA Studio bowls and spoons. Photo © Susan Fitzgerald 2017.

Some RARA Studio bowls and spoons. Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

Photo © Susan Fitzgerald 2017.

In Plain Sight (Pink), 2016, pigment ink print on archival rag paper. From an ongoing collaboration between Aliça and Lizzy Sampson. Photo © Susan Fitzgerald 2017.

In Plain Sight (Pink), 2016, pigment ink print on archival rag paper. From an ongoing collaboration between Aliça and Lizzy Sampson. Photo © Susan Fitzgerald 2017.

Aliça and Claudia the cat. Photo © Susan Fitzgerald 2017.

Aliça and Claudia the cat. Photo © Susan Fitzgerald 2017.

Tea in RARA Studio mugs. Photo © Susan Fitzgerald 2017.

Tea in RARA Studio mugs. Photo © Susan Fitzgerald 2017.

Kitchen. Photo © Susan Fitzgerald 2017.

Kitchen. Photo © Susan Fitzgerald 2017.

Loungeroom. Photo © Susan Fitzgerald 2017.

Loungeroom. Photo © Susan Fitzgerald 2017.

Some of Aliça's succulents. Photo © Susan Fitzgerald 2017.

Some of Aliça's succulents. Photo © Susan Fitzgerald 2017.


STUDIO SPACE MAILING LIST

Join the Studio Space mailing list to receive an update each time a new studio visit is posted.

Name *

Thank you! You're now signed up to the Studio Space mailing list and will receive the occasional email when there's news.


In Studio Space, Homewares, Melbourne, Ceramics Tags RARA Studio, ceramic, ceramics, melbourne ceramacist, melbourne ceramics, hello rara, Aliça Bryson-Haynes, rara ceramics, melbourne maker, Studio Space
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Chizu and Chihiro from Fog Linen and Kaori from Tea & Treats, who was holding a tea class in the second floor event space.

Chizu and Chihiro from Fog Linen and Kaori from Tea & Treats, who was holding a tea class in the second floor event space.

Studio Space: Fog Linen Work

June 15, 2016

Today I'm so excited to share the first international studio visit - when I was in Japan I visited the very zen workspace and shop of Yumiko Sekine of Fog Linen Work. Unfortunately, Yumiko was overseas when I was in Tokyo but some of her trusty staff showed me around and made me feel welcome. 

The four-level space was custom designed and built just for Fog Linen and the business seems to fill the space perfectly, with a retail space on the ground floor, event space on the second floor, office on the third floor and a meeting room and storage space on the fourth floor. Never before have I seen such neat filing & storage - I felt like I was in a Muji or IKEA showroom!

FOG LINEN WORK: HISTORY

Around 18 years ago Yumiko visited Lithuania, one of Europe's major growers of flax and producers of linen products. She was disappointed to discover that while being a major exporter of linen products, you could not buy everyday linen products in Lithuania. She contacted a number of linen manufacturers and soon began production of her own product designs in Lithuania.

Fog Linen Work now produces a large range of beautiful and functional everyday linen and household products including kitchen wares, clothing, trays and wire ware.

FOG LINEN WORK: Q&A

How long have you been in the space and where did you work from previously? 5 years. We were in another building in the same area before moving into current space. My boyfriend is the architect and he designed our current building.

How many people work in the space? I have 8 assistants, so 9 including me.

You designed and built your current four-level workspace in Tokyo. Can you talk a little about this - how did you decide how much space you needed, how many floors you needed? There was a height limit and it couldn’t be higher than now for this area and space. When we bought the space, we knew we can make a 4 storey building. So I planned 4 different things to do for each floor. 1st floor : store. 2nd floor : event space. 3rd floor : office. 4th floor: meeting, storage.

How many hours a week do you spend in your workspace? 60 hours ~ more?? Sometimes I work by myself during the weekend.

How, if at all, has the space influenced the way you? We have moved office 6 times since I started my own business. New spaces always brought something new. Before we rent the space, though this building is designed for us. It fits perfect for our store and made good balance and mood.

Which inspire you (personally or professionally)? Travelling. 

 

FOG LINEN WORK: LINKS

Website: www.foglinenwork.com

Shop: www.shop-foglinen.com

Instagram: www.instagram.com/foglinenyumiko

Facebook: www.facebook.com/linenwork.fog

And don't forget to follow Studio Space on Instagram - @studiospace_ #hellostudiospace

 

LEVEL 1: RETAIL SPACE

LEVEL 2: EVENT SPACE

There was a tea ceremony being held in the event space on the morning I visited. It was all set up when I had a look through and the class arrived just as I was leaving. What a great morning they would have had!

LEVEL 3: WORK SPACE

LEVEL 4: MEETING SPACE & STORAGE SPACE

BUILDING EXTERIOR

The custom designed and built building is in a relatively quiet street. You can see the three main levels and the smaller, fourth storage area at the top. There's also a balcony area which looks pretty great.

The custom designed and built building is in a relatively quiet street. You can see the three main levels and the smaller, fourth storage area at the top. There's also a balcony area which looks pretty great.

In Studio Space, Japan, Tokyo, Homewares Tags studio space, creative workspace, japan, tokyo, linen, Homewares, fog linen, fog linen work, fog linen works, fog linen shop
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Kristy in her studio. Photo by Susan Fitzgerald.

Kristy in her studio. Photo by Susan Fitzgerald.

Studio Space: Fox & Ramona

April 29, 2016

Fox & Ramona is Melbourne-based brand creating bold and unique hand painted concrete planters, homewares & jewellery. The person behind the brand is Kristy Tull and I had the pleasure of visiting her studio/workshop this month. Kristy's been in her current workshop, situated in the inner west, since earlier this year. It's amazing how well she's settled in and how she's filled the huge space with all her creations, especially as she was working from home before this!

Kristy started out making resin and polymer jewellery while working as an assistant in an architecture firm. She began experimenting with concrete to make small planters and didn't look back - two years ago she quit her day job and started working on Fox & Ramona full time. It seems she's come full circle, having just introduced some fabulous concrete jewellery (here and here) to the range.

FOX & RAMONA: Q & A

How long have you been in the space and where did you work previous to this? I’ve been here for almost 4 months and beforehand worked from home. I’d taken over my garage, living room and dining table so it was time to move out!

How many hours a week do you spend in your workspace? About 30 hours a week in the workshop. Most computer/admin work I take home and do in the evenings - hence why I always send emails late at night…!

How, if at all, has the space influenced your work? I wouldn’t say it's influenced my work as such but it has definitely made life easier, being able to spread out and get messy. If anything it's given me a chance to work on some new projects and designs which I wouldn’t have been able to do at home.

What would your dream workspace look like? Concrete floors, white or exposed brick walls, bright, light and with a big roller door. Preferably in Spotswood, so I could walk to work from home!

Do you prefer working alone or with others? A bit of both. I love having company at the workshop and often have my recently retired Dad pottering around me, which is really nice. It’s also good to have some downtime, thinking time and design time without any interruptions.

Which other creatives inspire you (personally or professionally)?

  • Rachel Castle - I love the way she uses shapes and colour.

  • Marnie Hawson - my photographer/stylist extraordinaire - she always captures simply gorgeous photos.

  • Gorman - Their use of colour and out-of-the-box designs.

FOX & RAMONA: LINKS

Website: foxandramona.com.au

Shop: foxandramona.com.au/shop

Etsy shop: foxandramona.etsy.com

Instagram: @foxandramona

Facebook: facebook.com/foxandramona

And don't forget to follow Studio Space on Instagram - @studiospace_ #hellostudiospace

Large painted concrete planters. Photo by Susan Fitzgerald.

Large painted concrete planters. Photo by Susan Fitzgerald.

Small marbled vessels, planters and plates. Photo by Susan Fitzgerald.

Small marbled vessels, planters and plates. Photo by Susan Fitzgerald.

Grid concrete planter. Photo by Susan Fitzgerald.

Grid concrete planter. Photo by Susan Fitzgerald.

A selection of the larger-sized concrete planters in the Fox & Ramona range. Photo by Susan Fitzgerald.

A selection of the larger-sized concrete planters in the Fox & Ramona range. Photo by Susan Fitzgerald.

The back wall of the studio. Photo by Susan Fitzgerald.

The back wall of the studio. Photo by Susan Fitzgerald.

THE best packing station, complete with massive rolls of bubble wrap and every other thing you could ever need. Photo by Susan Fitzgerald.

THE best packing station, complete with massive rolls of bubble wrap and every other thing you could ever need. Photo by Susan Fitzgerald.

Packing an order. Photo by Susan Fitzgerald.

Packing an order. Photo by Susan Fitzgerald.

So many paint brushes! Photo by Susan Fitzgerald.

So many paint brushes! Photo by Susan Fitzgerald.

Testing new colours and patterns. Photo by Susan Fitzgerald.

Testing new colours and patterns. Photo by Susan Fitzgerald.

Kristy hard at work. Photo by Susan Fitzgerald.

Kristy hard at work. Photo by Susan Fitzgerald.

White Wash planters all lined up and in size order. Photo by Susan Fitzgerald.

White Wash planters all lined up and in size order. Photo by Susan Fitzgerald.

Hand painted. Photo by Susan Fitzgerald.

Hand painted. Photo by Susan Fitzgerald.

The exterior of the studio. Photo by Susan Fitzgerald.

The exterior of the studio. Photo by Susan Fitzgerald.

So many beautiful plants! Photo by Susan Fitzgerald.

So many beautiful plants! Photo by Susan Fitzgerald.

Some mugs Kristy made for an upcoming workshop. Photo by Susan Fitzgerald.

Some mugs Kristy made for an upcoming workshop. Photo by Susan Fitzgerald.

So cool! Made by Kristy for an upcoming workshop. Photo by Susan Fitzgerald.

So cool! Made by Kristy for an upcoming workshop. Photo by Susan Fitzgerald.

In Studio Space, Homewares, Melbourne Tags Melbourne, Studio Space, homewares, concrete, warehouse, fox & ramona, fox and ramona, Kristy Tull, concrete pots, concrete planters, pot plants
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Studio Space: Esther Sandler/Togetherness Design

April 1, 2016
Esther Sandler in her studio, wearing gorgeous ceramic earrings she made.

Esther Sandler in her studio, wearing gorgeous ceramic earrings she made.

This shelf, which Esther made herself, sits above her desk. I really want to make a shelf like this now! Photo by Susan Fitzgerald.

This shelf, which Esther made herself, sits above her desk. I really want to make a shelf like this now! Photo by Susan Fitzgerald.

STUDIO SPACE: ESTHER SANDLER OF TOGETHERNESS DESIGN

Esther Sandler is a Melbourne-based illustrator and textile designer. She currently splits her time between freelance work (for brands including Megan Park, Mecca, Limedrop), working on her own label Togetherness Design (which she established in 2011, when she was still a student) and teaching (she'll soon be lecturing part-time in the course she studied, Textile Design at RMIT). Esther works from the home studio she shares with her boyfriend and was kind enough to let me come along and photograph it.

Esther's work features rich, multilayered and colourful patterns, often with plants, animals, imagined worlds and naive and folk-inspired motifs. She often starts out creating a watercolour or gouache painting and then brings it to life using traditional and more recent craft and textile traditions including digital fabric printing, embroidery, sewing and screen printing. The Togetherness Design product range features textiles, paper-based work and hand-formed ceramics.

Esther's other passions include gardening, collecting trinkets, watching true crime documentaries and crafting - check out some of the many ace projects she's created for Frankie Magazine's blog: a decorated umbrella, a shaggy seat covering, a sweet treat doormat, a sleeping kitten wheat pack and resin jewellery.

I hope you enjoy getting a sneak-peek into Esther's workspace. Following are more snaps and a little interview. 

Pinboard inspiration. Scroll down for a pinboard close-up. Photo by Susan Fitzgerald.

Pinboard inspiration. Scroll down for a pinboard close-up. Photo by Susan Fitzgerald.

Very happy monstera. Photo by Susan Fitzgerald.

Very happy monstera. Photo by Susan Fitzgerald.

Close-up of Esther's inspiration pinboard. Photo by Susan Fitzgerald.

Close-up of Esther's inspiration pinboard. Photo by Susan Fitzgerald.

Esther's inspiration shelf. Photo by Susan Fitzgerald.

Esther's inspiration shelf. Photo by Susan Fitzgerald.

Esther's desk is to the left of the window and her sewing machine is the the right, next to the bolts of fabric. Photo by Susan Fitzgerald.

Esther's desk is to the left of the window and her sewing machine is the the right, next to the bolts of fabric. Photo by Susan Fitzgerald.

ESTHER SANDLER: Q&A

How long have you been in the space and where did you work previous to this?

For the past two years I’ve been working in a spare room in my house that has been set up as a sewing room and creative space. Before this I was working out of my tiny bedroom on a desk that was snuggle fit between my bed and the door - it was such a relief to move to a larger space!

How many hours a week do you spend in your workspace?

I do a mix of working in-house and working from my studio, so this can change week to week. Leading up to busy markets times or while I am working on a large personal project I can be in the space every day, but on average I would guess around 20 hours per week.

Original paintings by Esther Sandler. Photo by Susan Fitzgerald.

Original paintings by Esther Sandler. Photo by Susan Fitzgerald.

Hand-formed and painted ceramic necklaces. Photo by Susan Fitzgerald.

Hand-formed and painted ceramic necklaces. Photo by Susan Fitzgerald.

How, if at all, has the space influenced your work?

Working in a space with plenty of room to store materials, product and knick-knacks is a dream come true and makes it a lot easier for me to become inspired and create. The trick to this however, is keeping things tidy and I am often guilty of making a huge mess on every surface, although I am trying to rein this in a bit!

A bag featuring Esther's digitised painting. Photo by Susan Fitzgerald.

A bag featuring Esther's digitised painting. Photo by Susan Fitzgerald.

Some cushions stacked up. Available to buy here. Photo by Susan Fitzgerald.

Some cushions stacked up. Available to buy here. Photo by Susan Fitzgerald.

What would your dream workspace look like?

The main downside to my studio is the lack of natural light, so it can get a bit dark and is particularly bad when it comes to taking photos. Our whole house is quite dark so I often resort to taking photos outside, which is a bit of a pain! My dream space would have large windows with natural light, a bright white wall for taking photos against and a heap of cupboards and drawers for me to store all of my things!

Clutches being sewn up. Available to buy here. Photo by Susan Fitzgerald.

Clutches being sewn up. Available to buy here. Photo by Susan Fitzgerald.

Purses waiting to be sewn up. Photo by Susan Fitzgerald.

Purses waiting to be sewn up. Photo by Susan Fitzgerald.

Do you prefer working alone or with others?

I enjoy a mix of working by myself and with others. Being alone is best when I have a heap of things to get done but it can also be a bit lonely. In the future I would love to share a studio space with a few of my creative pals and will hopefully get around to doing something about this soon!

Another original artwork. Photo by Susan Fitzgerald.

Another original artwork. Photo by Susan Fitzgerald.

Which other creatives inspire you (personally or professionally)?

I am constantly amazed and inspired by the work of my friends and other up-and-coming designers from Melbourne and the rest of the country – people like Min Pin, Tara Whalley, Edith Rewa, Cassie Byrnes, Caitlin She and many more. I also find a tremendous amount of inspiration in the work of my favourite textile design heroines from the past and present including Maija Isola, Gunta Stölzl, Jenny Kee, Tsumori Chisato and Collier & Campbell. I could go on and on!

Tools of the trade - so many cotton reels! Photo by Susan Fitzgerald.

Tools of the trade - so many cotton reels! Photo by Susan Fitzgerald.

More tools of the trade, for ceramics. Photo by Susan Fitzgerald.

More tools of the trade, for ceramics. Photo by Susan Fitzgerald.

ESTHER SANDLER: LINKS

Website: www.esthersandler.com

Shop: www.togethernessdesign.com

Etsy shop: esthersandler.etsy.com 

Tumblr: esthersandler.tumblr.com

Instagram: www.instagram.com/togethernessdesign

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

Thanks so much Esther!

What a green thumb! Esther's garden has so many succulents and other plants, many of which she's propagated herself.

What a green thumb! Esther's garden has so many succulents and other plants, many of which she's propagated herself.

In Studio Space, Melbourne, Illustrator, Homewares, Textiles Tags Illustration, Textile Design, textiles, esther sandler, togetherness design, togetherness designs
1 Comment
Leslie Keating cleaning a screen in the old hairdresser wash trough. Photo by Susan Fitzgerald.

Leslie Keating cleaning a screen in the old hairdresser wash trough. Photo by Susan Fitzgerald.

Studio Space: Leslie Keating of Maze & Vale

November 10, 2015

It's with much excitement that I launch Studio Space, featuring the studios of other artists/creatives. I'm so inspired by other people's workspaces and would like to investigate how a space can influence creatives' artwork and practice. It's also fun taking a close look at the work of others and getting to peek into their life/space/work, so I figure other people will like to see this stuff too. 

What better place to start the series than with a fellow screen printer who's also based in West Footscray*, the lovely Leslie of Maze & Vale. Leslie's studio is a former hairdresser, complete with an old trough that is perfect for washing screens, and she moved in about 1.5 years ago.

Looking into the Maze & Vale studio from the entrance. The old hairdresser trough is perfect for washing screens. Photo by Susan Fitzgerald.

Looking into the Maze & Vale studio from the entrance. The old hairdresser trough is perfect for washing screens. Photo by Susan Fitzgerald.

Leslie's background is in graphic design and she has a passion for textiles. She previously created quilts, toys and more under the name onegirl designwrks. In 2011, Leslie decided to make a sideways jump and started designing and screen printing her own fabric, and she hasn't looked back. 

Leslie now sells her fabric (and printing kits and more) online and at select design and quilting markets. She also holds screen printing, block printing and quilting workshops at her studio and teaches classes for The Craft Sessions and Work-Room Melbourne. 

There's also a wee interview with Leslie further down but first, here are the photos I took of the Maze & Vale studio space.

* Leslie left this space, moved to Riverside Studios in Footscray and is now based in Yarraville, where she runs a shop called Fibresmith, selling fine cloth and yarn (and sometimes printing Maze and Vale).

One of Leslie's beautiful freeform quilts. Photo by Susan Fitzgerald.

One of Leslie's beautiful freeform quilts. Photo by Susan Fitzgerald.

So many beautiful colours. Photo by Susan Fitzgerald.

So many beautiful colours. Photo by Susan Fitzgerald.

Pegboard excellence. Photo by Susan Fitzgerald.

Pegboard excellence. Photo by Susan Fitzgerald.

Lots of inks. Photo by Susan Fitzgerald.

Lots of inks. Photo by Susan Fitzgerald.

Colours and more colours. Photo by Susan Fitzgerald.

Colours and more colours. Photo by Susan Fitzgerald.

The printing table and dropcloth. Photo by Susan Fitzgerald.

The printing table and dropcloth. Photo by Susan Fitzgerald.

Dropcloth close-up. Previous dropcloth pieces are available to buy from the Maze & Vale shop. Photo by Susan Fitzgerald.

Dropcloth close-up. Previous dropcloth pieces are available to buy from the Maze & Vale shop. Photo by Susan Fitzgerald.

Fabric, fabric and more fabric. Photo by Susan Fitzgerald.

Fabric, fabric and more fabric. Photo by Susan Fitzgerald.

Clothpot kits - you can buy these from the Maze & Vale website. Photo by Susan Fitzgerald.

Clothpot kits - you can buy these from the Maze & Vale website. Photo by Susan Fitzgerald.

Fabulous succulent hanging all the way down the front window. Photo by Susan Fitzgerald.

Fabulous succulent hanging all the way down the front window. Photo by Susan Fitzgerald.

The studio's exterior. Photo by Susan Fitzgerald.

The studio's exterior. Photo by Susan Fitzgerald.

LESLIE KEATING OF MAZE & VALE: Q&A

How many hours a week do you spend in your studio?

It really depends - I work around my kids’ schedules. Some weeks I might only spend a few hours in the studio and do what work I can at home but a normal week, I probably spend about 20 hours there. In the weeks leading up to a market that number usually doubles.

What's your favourite thing about the space?

The light is a huge bonus feature. It makes taking product shots really easy, but my favourite thing is my four meter long printing table. Small by professional screen printing standards, it works well for me and also gives me the space to spread out when I’m putting together kits or basting a quilt.

How, if at all, has being in this space influenced your work?

Having great light available has definitely improved my photography and made my Instagram stream more uniform, which strangely pleases me. Having a bigger print table allows me to be more productive during studio time.

What would your dream workspace look like?

My dream workspace would be a custom built space at home, ideally on a first floor with a bush or ocean view. About 60-80 square meters with bright white walls, worn wooden floors, maybe some exposed brick or beams, a pitched roof and huge windows perfectly placed to get the best light. It would be big enough to have both my printing and sewing/quilting equipment set up in their own areas and plenty of storage space… Sigh, so nice to dream!

Which other creatives are you influenced by?

Oh so many! Lately, I’m really inspired by the patchwork/quilting of Anna Farago, Season Evans, Maura Grace Ambrose and Meg Callahan, and the painting of Julian Meager, Stephen Baker and Tiel Seivl-Keevers.

MAZE & VALE: LINKS

Maze & Vale Shop

Etsy Shop

Workshops

Instagram

Facebook

I hope you liked this first instalment of Studio Space. It sure was fun for me to begin this project, and super inspiring - visiting Leslie's studio and looking at some of her beautiful freeform quilts made me want to go and sew one myself right away.

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace. Thanks!

 

In Studio Space, Melbourne, Textiles, Homewares Tags Studio Space, West Footscray, Graphic Designer, Textile Designer, Screen Printing, Workshop, leslie keating, maze and vale, maze & vale, fibresmith
3 Comments

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