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Claire Ritchie in her home studio. Photo © Susan Fitzgerald 2017.
Claire Ritchie in her home studio. Photo © Susan Fitzgerald 2017.

Studio Space: Claire Ritchie

September 26, 2017
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Claire Ritchie is a Melbourne-based designer/maker of bright, colourful prints, patterns and textiles. If you follow her on Instagram you'll instantly recognise her work - there are lots of florals, rainbows and great colour palettes. I had the pleasure of hanging out with Claire, her youngest daughter Freya and their very affectionate dog Fox for an afternoon, drinking tea and chatting. Oh yeah, and taking some photos.

Claire is originally from Fremantle, WA and then moved to Geelong, but in the last couple of years she's been in Melbourne's inner north. She works from her home studio, which sits in the middle of the sweet old rambling house she shares with her partner, their two daughters and Fox, the hound.

Claire's work often starts out as drawings in her sketch book and some of her hand drawn patterns are made using Posca pens - what a blast from the past for me! Her designs are then digitally printed onto ecofriendly, sustainable fabric which Claire sews into purses, clutches, hats and aprons. She soon plans launching a small line of clothing - you can see some samples in the photos below. Claire's mum had a big influence on her - she hand printed textiles and worked as a seamstress and sewer. She also had what Claire remembers as being a dream workspace, which I'm sure will be Claire's children's memory of this workspace.

Here are some snaps of Claire's space, which looks pretty dreamy to me. Oh, and I'm trialling putting photos in a slideshow, and you can hover for captions. I'd love to know if you think this works or not - feel free to send through any feedback here :)

Claire's desk gets lovely natural light. Photo © Susan Fitzgerald 2017.
Claire's desk gets lovely natural light. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Claire at work in her studio. Photo © Susan Fitzgerald 2017.
Claire at work in her studio. Photo © Susan Fitzgerald 2017.
Claire's desk setup. Photo © Susan Fitzgerald 2017.
Claire's desk setup. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Some of Claire's textiles. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Samples from Claire's upcoming line of clothing. Photo © Susan Fitzgerald 2017.
Samples from Claire's upcoming line of clothing. Photo © Susan Fitzgerald 2017.
Claire and Freya in the studio. Photo © Susan Fitzgerald 2017.
Claire and Freya in the studio. Photo © Susan Fitzgerald 2017.
Posca! Photo © Susan Fitzgerald 2017.
Posca! Photo © Susan Fitzgerald 2017.
A pin cushion Claire made, using scraps of her fabric. And some Tsuno tampons that just arrived in the mail, with packaging designed by Andrea Shaw. Photo © Susan Fitzgerald 2017.
A pin cushion Claire made, using scraps of her fabric. And some Tsuno tampons that just arrived in the mail, with packaging designed by Andrea Shaw. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Stacks! Photo © Susan Fitzgerald 2017.
Stacks! Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Fox. Photo © Susan Fitzgerald 2017.
Claire in her cute kitchen, making tea! Photo © Susan Fitzgerald 2017.
Claire in her cute kitchen, making tea! Photo © Susan Fitzgerald 2017.
Claire and Freya, who got up to some mischief while we were distracted! Photo © Susan Fitzgerald 2017.
Claire and Freya, who got up to some mischief while we were distracted! Photo © Susan Fitzgerald 2017.

CLAIRE RITCHIE: Q&A

How long have you been in your current workspace and where did you work from previously? I’ve been here for about a year. I was working from the tiny, freezing sunroom at the back of our house before this. Then I realised I could take over the formal dinning room! I’ve always worked from a home studio.

Do you prefer working alone or with/near others? I do prefer working solo. I get so focused that I block everything and everyone out. I enjoy having people around though. It's nice to have visitors and to share my space sometimes to get a new perspective or to see how others work. You can get so used to working solo that when you do share your space you think, "Wow! This is fun!!" 

How many hours a week do you spend there? Ha ha, every minute I can!! No seriously I find myself floating into the studio at every opportunity. I do have two full days that I can solidly work. I have a six-year-old, Mila, and a two-year-old, Freya, so I’ve had to be smart about how I use my time. I do a lot on the weekends when my partner Dean is home. So it would probably be between about 20-30 hours depending on what's happening that week. Sometime I have to have a whole week off to spend with the girls. 

What's your favourite thing about the space? I love my desk! I feel like having the right desk can really change how you work. I have everything I need on it. Computer, drawing materials and I can move close to the window and get really good light or further away and work on the computer. I can stand or sit, which is great for switching between computer work and then cutting up fabric and pattern making. I do love my window too, which I frequently find myself staring out of. 

How, if at all, has a workspace (this or previous) influenced the way you work? Having everything I need in one space definitely makes me more productive. It's also got a lot of room to spread out and have everything out where I can see it. If I can't see what I'm working on I'll forget about it! Ha! It's also warm. My last space was freezing so I didn’t want to be in there as much. 

What does your dream space look like? I have always wanted an old milk bar as my studio space. I would love to have a shop front with an open studio at the back. I like the idea of opening up my space for people to see.

What inspires your work? (ie: the work of others, a ritual, nature, colours, dreams) Nature, big-time! Whether it's colour, texture, shape I am always the one looking out the window daydreaming or the one collecting all the leaves and flowers in a cute little basket. I get my kids to take a basket with them on our walks and I end up filling it up! 

I definitely feel inspired by people around me. I get really excited when I get to talk to other creatives. I feel like having a community of people around you who are like-minded can make a huge difference to your productivity. 

I love op shopping and vintage markets. I am really drawn to all the old vintage kitchen wares. The bright colours and pastels pop up in my work a lot. 

Do you have any tips for great things to do in your work hood? Walks to Merri Creek are great for getting a big gulp of fresh air. I’ll also pop out to my local op shop on Oakover Rd if I feel like I need some inspiration. And Vintage Garage is just down the road. High St. Thornbury isn’t far either and there are lots of great venues and shops to visit. Think Thornbury is a great little shop supporting local makers. I always pop in for a quick visit and then end up having awesome chats with Maggie or Josh, the owners. If I get coffee, mostly we make our own each morning but I will got to Ampersand or Short Round in Thornbury. Both venues have great plants to drool over. And on the other side of St Georges Rd in Thornbury I’ll head to Pearl Oyster. It is super chilled there and they are always smiling.

Finally, music or no music when you're working, or podcasts? If so, what/which? I have to have music. Especially when I’m drawing. I love how it affects what I’m doing. I’ve been listening to Bonobo a lot lately, and I’ve also gone back to an old favourite the Whitest Boy Alive. Their Dreams Album is ace. I also discovered, earlier in the year, a Fleetwood Mac album, before the girls joined the gang, called Men of the World: The Early Years. It is incredible and I couldn’t believe I hadn’t heard it before. If you opened my music right now you would see quite the mixture of different artists. All depends on how intensely I need to work! These are some… Flume, Bowie, Hermitude, Kaytranda, Big Scary, The Pharcyde, The Knife, A Tribe Called Quest and Massive Attack. Sometimes I will get up and have a little dance if I’m feeling good. 

Claire and a giant Posca! Photo © Susan Fitzgerald 2017.
Claire and a giant Posca! Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A floral pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A floral pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A geometric pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A geometric pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.
A pattern from Claire's sketchbook. Photo © Susan Fitzgerald 2017.

CLAIRE RITCHIE: LINKS

Website www.helloclaireritchie.com

Shop www.helloclaireritchie.com

Instagram www.instagram.com/claire__ritchie/ @claire__ritchie

Facebook www.instagram.com/claire__ritchie/ 

Pinterest au.pinterest.com/claire__ritchie/

Email helloclaireritchie@gmail.com

Thanks, Claire! And don't forget to follow Studio Space on Instagram: @studiospace_ #hellostudiospace or sign up to the mailing list below and be the first to find out about new studio visits.


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Words and photos © Susan Fitzgerald.

In Studio Space, Textiles, Melbourne, Homewares, Illustrator Tags Claire Ritchie
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Tegan Iversen in her Fitzroy studio. Photo © Susan Fitzgerald 2017.

Tegan Iversen in her Fitzroy studio. Photo © Susan Fitzgerald 2017.

Studio Space: Tegan Iversen

August 18, 2017

STUDIO SPACE: TEGAN IVERSEN

It's been a while but Studio Space is back, this time featuring the super cute workspace of Tegan Iversen, a Melbourne-based artist and illustrator. Tegan shares her light filled studio with another creative, Lara from label Eat Me Do. There are contrasting white and pink walls, with the space above Tegan's desk featuring her own colourful hand-drawn illustrations of rainbows, lips, hearts and lightning bolts. There's also a feature wall hand painted by textile designer Abbey Rich. The east-facing window looks over Brunswick St, Fitzroy, where you can do lots of people watching (and also see Adam Bandt of The Greens' office).

Tegan studied fine arts (drawing) at the Victorian College of the Arts and since graduating in 2014 has been super prolific, exhibiting her work in a number of solo and group shows and co-running F*EMS Zine. She's also done lots of freelance work, for clients including AHD Paper & Co, Voiceworks Magazine, Filmme Fatales and The Big Issue.

Most of Tegan's work starts out as a pencil sketch on paper, which is then drawn over with pen, scanned and digitally coloured. She's also working on a project where she's replicating music and film tickets, hand painting the lettering directly onto small blocks of wood using a super fine brush. Interestingly, Tegan doesn't have a computer in her studio, which means she can devote her work time to painting and drawing without too many distractions. She then does all the scanning and computer-based work in batches, when she gets home. What a great idea! 

TEGAN IVERSEN: Q&A

How long have you been in your current workspace and where did you work from previously? I've only been in the space for a couple of weeks! I have a desk in my bedroom at home that I used to work from, as well as drawing in the lounge room on the couch sometimes.

Yours is a shared space. How many other people work in the space? Do you prefer working alone or with/near others? I share a space with Lara from Eat Me Do. It's really great as we both love colour and making quirky & cute work. It's fun sharing a space as you can get feedback whilst working & can bounce ideas and thoughts off one another & we also get time in the studio by ourselves which is nice too. Sometimes I'll work there late by myself. I find I'm most creative towards the end of a day.

How many hours a week do you spend there? Probably around 20 hours or so. I have two full days to spend in the studio every week and other times, mornings & nights, when I can just pop in. I have other work commitments at the moment on top of my art stuff, otherwise I would spend more time in there.

What's your favourite thing about the space? Having a place solely for art making is super awesome & I love that I'm able to decorate the space to make it feel like me. One of my favourite aesthetic things about the studio is actually the floor - I've always wanted checkerboard flooring, omg I love it!

How, if at all, has a workspace (this or previous) influenced the way you work? Having a place to make art outside of my home has definitely encouraged me to experiment a lot more with my art making - to take more risks, try different techniques & make larger scale work. It's given me the time to try painting, which I've always wanted to do.

What does your dream space look like? Probably very similar to what this space looks like, but just more physical space, which of course I would then fill with lots more stuff!

What inspires your work? Definitely colour, patterns, movies I see, things I do, places I go. Also my friends, family & all the amazing artists I follow on Insta, as well as visiting galleries & reading cute zines.

Do you have any tips for great things to do in your work hood? Omg there are so many great things around here, I am forever tempted to go buy tasty food & go shopping & go out for dranks every time I'm in the studio! There is the very delicious Vegie Bar & Attaboy Roy who has an amazing halloumi burger, Naked for Satan for drinks, Brunswick Street Gallery is just down the road & not too far away on Smith St is In.cube8r & Junior Space that both have beaut art & lots of sweet handmade things!

Finally, music or no music when you're working. Or podcasts? I love listening to something while I work. If Lara is in we'll listen to music otherwise if I'm in there solo I usually listen to podcasts. At the moment I've been enjoying listening to podcasts about art whilst I make art, such as Starving Artist and Wowee! podcast.

Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan Iversen in her studio. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Tegan's tiny hand painted tickets. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Some of the cards Tegan's designed for AHD Paper & Co. Photo © Susan Fitzgerald 2017.
Some of the cards Tegan's designed for AHD Paper & Co. Photo © Susan Fitzgerald 2017.
Some of Tegan's zines. Photo © Susan Fitzgerald 2017.
Some of Tegan's zines. Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Photo © Susan Fitzgerald 2017.
Studio detail. Photo © Susan Fitzgerald 2017.
Studio detail. Photo © Susan Fitzgerald 2017.
Tegan in her studio. Photo © Susan Fitzgerald 2017.
Tegan in her studio. Photo © Susan Fitzgerald 2017.
Eat Me Do wall mural by Abbey Rich. Photo © Susan Fitzgerald 2017.
Eat Me Do wall mural by Abbey Rich. Photo © Susan Fitzgerald 2017.
The view out the window, looking over Brunswick St. Photo © Susan Fitzgerald 2017.
The view out the window, looking over Brunswick St. Photo © Susan Fitzgerald 2017.

TEGAN IVERSEN: LINKS

Website www.teganiversen.com

Instagram hwww.instagram.com/teganiversen @teganiversen

Tumblr www.teganiversen.tumblr.com

Email emailteganiversen@gmail.com

 

Thanks, Tegan! And don't forget to follow Studio Space on Instagram: @studiospace_ #hellostudiospace

Words and photos © Susan Fitzgerald.


STUDIO SPACE MAILING LIST

Join the Studio Space mailing list to receive an update each time a new studio visit is posted.

Name *

Thank you! You're now signed up to the Studio Space mailing list and will receive the occasional email when there's news.


In Studio Space, Melbourne, Illustrator Tags tegan iversen, fitzroy, illustration, eat me do, abbey rich
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Studio Space: Marc Martin

July 27, 2016

The latest instalment of Studio Space features Marc Martin, a Melbourne-based Illustrator. Marc's light-filled studio is located above a store in the outskirts of the city. He shares the open-plan space with a group of other creatives, some indoor plants & occasionally, a dog. His space is bright and well equipped, with a workbench, a collection of books and magazines (for reference and inspiration), lots of art supplies and of course, a computer and scanner. One of the best things about the setup is it allows him to stand up while working, which he does about 50% of the time.

His background is in graphic design and in the past Marc ran a design studio with a friend, before deciding to become a full-time illustrator about four years ago. He works mainly in watercolour and his work is evocative, rich in detail and colour. And one of the biggest breakthroughs he discovered a little while back - a hairdryer! It now plays an integral part in the process of producing his work (hope I'm not giving away your trade secrets, Marc!) - no more smudges.

Marc has written numerous books, published through Penguin in English and other languages, including A River, A Forest, Max and The Curious Explorer's Illustrated Guide To Exotic Animals. He's just finished his latest book, details of which are yet to be revealed. He's also interested in the creative freedom self-publishing offers and is looking to self-release a book next year.

Marc also works as a freelance illustrator and is represented by the Jacky Winter Group. Some of his freelance clients include Monocle magazine, Wired magazine, The Financial Review, Virgin Atlantic, Assemble Papers and ACMI. He's also designed and illustrated material for various festivals. He says a good balance for him is 50% client illustration work and 50% self-directed book work. 

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MARC MARTIN: Q&A

How long have you been in the space and where did you work from previously? I’ve been here for about 5 or 6 years. Every now and then I get tempted to move, but this space is just so central and full of great people, so there’s really no reason to look anywhere else.  

Yours is a shared space. How many other people work in the space? About 15 people. It’s a mix of photographers, designers, artists, writers, people studying and other creative pursuits. It’s a good bunch of people.  

Do you prefer working alone or with others? In terms of a working space, I definitely prefer working with others around. It’s nice to be able to go to a space where you can get some work done, but also have the ability to chat to people and be social if you need to be. I worked form home for while, and that just made me feel very isolated.  

How many hours a week do you spend there? A full working week, so pretty much 9-5, Monday to Friday. I think it’s important to treat being an artist like any other job, especially if you want to be successful at it.  

How, if at all, has the space influenced the way you work? I’ve been here so long that it’s hard to say if the space has influenced my work. I know I’ve changed the way I use the space - initially I was just doing all computer based work, and slowly I’ve migrated to pretty much all hand drawn things these days. So less sitting and staring at the screen and more active, gestural work with paint and paper.  

What does your dream space look like? It probably looks something like a log cabin in the woods somewhere, with a big window overlooking a lake where I can sit and make art.  

What inspires you, personally or professionally? Friends, nature, travel, film, books, art, photography. I’m just about to head off on a long-deserved holiday to Ningaloo reef, so I’m pretty sure some time snorkelling, swimming with whale sharks and driving through national parks will get me inspired too!  

MARC MARTIN: LINKS

Website: www.marcmartin.com

Shop: marcmartin.bigcartel.com

Facebook: www.facebook.com/marcmartinart

Instagram: @marcmartinillo    

Snapchat: marcmartinart

And don't forget to follow Studio Space on Instagram: @hellostudio_ #hellostudiospace

Marc holding one of his books, A River. Photo by Susan Fitzgerald.

Marc holding one of his books, A River. Photo by Susan Fitzgerald.

Marc working at his computer. Photo by Susan Fitzgerald.

Marc working at his computer. Photo by Susan Fitzgerald.

One of Marc's studio mates and her dog. Photo by Susan Fitzgerald.

One of Marc's studio mates and her dog. Photo by Susan Fitzgerald.

Bookshelf. Photo by Susan Fitzgerald.

Bookshelf. Photo by Susan Fitzgerald.

Marc's workspace including standing desk. Photo by Susan Fitzgerald.

Marc's workspace including standing desk. Photo by Susan Fitzgerald.

Studio windows from the road. Photo by Susan Fitzgerald.

Studio windows from the road. Photo by Susan Fitzgerald.

 

All photos copyright Susan Fitzgerald 2016.

In Studio Space, Melbourne, Illustrator Tags Studio Space, Melbourne, Illustrator, Illustration, marc martin, marc martin illustrator
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Studio Space: Esther Sandler/Togetherness Design

April 1, 2016
Esther Sandler in her studio, wearing gorgeous ceramic earrings she made.

Esther Sandler in her studio, wearing gorgeous ceramic earrings she made.

This shelf, which Esther made herself, sits above her desk. I really want to make a shelf like this now! Photo by Susan Fitzgerald.

This shelf, which Esther made herself, sits above her desk. I really want to make a shelf like this now! Photo by Susan Fitzgerald.

STUDIO SPACE: ESTHER SANDLER OF TOGETHERNESS DESIGN

Esther Sandler is a Melbourne-based illustrator and textile designer. She currently splits her time between freelance work (for brands including Megan Park, Mecca, Limedrop), working on her own label Togetherness Design (which she established in 2011, when she was still a student) and teaching (she'll soon be lecturing part-time in the course she studied, Textile Design at RMIT). Esther works from the home studio she shares with her boyfriend and was kind enough to let me come along and photograph it.

Esther's work features rich, multilayered and colourful patterns, often with plants, animals, imagined worlds and naive and folk-inspired motifs. She often starts out creating a watercolour or gouache painting and then brings it to life using traditional and more recent craft and textile traditions including digital fabric printing, embroidery, sewing and screen printing. The Togetherness Design product range features textiles, paper-based work and hand-formed ceramics.

Esther's other passions include gardening, collecting trinkets, watching true crime documentaries and crafting - check out some of the many ace projects she's created for Frankie Magazine's blog: a decorated umbrella, a shaggy seat covering, a sweet treat doormat, a sleeping kitten wheat pack and resin jewellery.

I hope you enjoy getting a sneak-peek into Esther's workspace. Following are more snaps and a little interview. 

Pinboard inspiration. Scroll down for a pinboard close-up. Photo by Susan Fitzgerald.

Pinboard inspiration. Scroll down for a pinboard close-up. Photo by Susan Fitzgerald.

Very happy monstera. Photo by Susan Fitzgerald.

Very happy monstera. Photo by Susan Fitzgerald.

Close-up of Esther's inspiration pinboard. Photo by Susan Fitzgerald.

Close-up of Esther's inspiration pinboard. Photo by Susan Fitzgerald.

Esther's inspiration shelf. Photo by Susan Fitzgerald.

Esther's inspiration shelf. Photo by Susan Fitzgerald.

Esther's desk is to the left of the window and her sewing machine is the the right, next to the bolts of fabric. Photo by Susan Fitzgerald.

Esther's desk is to the left of the window and her sewing machine is the the right, next to the bolts of fabric. Photo by Susan Fitzgerald.

ESTHER SANDLER: Q&A

How long have you been in the space and where did you work previous to this?

For the past two years I’ve been working in a spare room in my house that has been set up as a sewing room and creative space. Before this I was working out of my tiny bedroom on a desk that was snuggle fit between my bed and the door - it was such a relief to move to a larger space!

How many hours a week do you spend in your workspace?

I do a mix of working in-house and working from my studio, so this can change week to week. Leading up to busy markets times or while I am working on a large personal project I can be in the space every day, but on average I would guess around 20 hours per week.

Original paintings by Esther Sandler. Photo by Susan Fitzgerald.

Original paintings by Esther Sandler. Photo by Susan Fitzgerald.

Hand-formed and painted ceramic necklaces. Photo by Susan Fitzgerald.

Hand-formed and painted ceramic necklaces. Photo by Susan Fitzgerald.

How, if at all, has the space influenced your work?

Working in a space with plenty of room to store materials, product and knick-knacks is a dream come true and makes it a lot easier for me to become inspired and create. The trick to this however, is keeping things tidy and I am often guilty of making a huge mess on every surface, although I am trying to rein this in a bit!

A bag featuring Esther's digitised painting. Photo by Susan Fitzgerald.

A bag featuring Esther's digitised painting. Photo by Susan Fitzgerald.

Some cushions stacked up. Available to buy here. Photo by Susan Fitzgerald.

Some cushions stacked up. Available to buy here. Photo by Susan Fitzgerald.

What would your dream workspace look like?

The main downside to my studio is the lack of natural light, so it can get a bit dark and is particularly bad when it comes to taking photos. Our whole house is quite dark so I often resort to taking photos outside, which is a bit of a pain! My dream space would have large windows with natural light, a bright white wall for taking photos against and a heap of cupboards and drawers for me to store all of my things!

Clutches being sewn up. Available to buy here. Photo by Susan Fitzgerald.

Clutches being sewn up. Available to buy here. Photo by Susan Fitzgerald.

Purses waiting to be sewn up. Photo by Susan Fitzgerald.

Purses waiting to be sewn up. Photo by Susan Fitzgerald.

Do you prefer working alone or with others?

I enjoy a mix of working by myself and with others. Being alone is best when I have a heap of things to get done but it can also be a bit lonely. In the future I would love to share a studio space with a few of my creative pals and will hopefully get around to doing something about this soon!

Another original artwork. Photo by Susan Fitzgerald.

Another original artwork. Photo by Susan Fitzgerald.

Which other creatives inspire you (personally or professionally)?

I am constantly amazed and inspired by the work of my friends and other up-and-coming designers from Melbourne and the rest of the country – people like Min Pin, Tara Whalley, Edith Rewa, Cassie Byrnes, Caitlin She and many more. I also find a tremendous amount of inspiration in the work of my favourite textile design heroines from the past and present including Maija Isola, Gunta Stölzl, Jenny Kee, Tsumori Chisato and Collier & Campbell. I could go on and on!

Tools of the trade - so many cotton reels! Photo by Susan Fitzgerald.

Tools of the trade - so many cotton reels! Photo by Susan Fitzgerald.

More tools of the trade, for ceramics. Photo by Susan Fitzgerald.

More tools of the trade, for ceramics. Photo by Susan Fitzgerald.

ESTHER SANDLER: LINKS

Website: www.esthersandler.com

Shop: www.togethernessdesign.com

Etsy shop: esthersandler.etsy.com 

Tumblr: esthersandler.tumblr.com

Instagram: www.instagram.com/togethernessdesign

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

Thanks so much Esther!

What a green thumb! Esther's garden has so many succulents and other plants, many of which she's propagated herself.

What a green thumb! Esther's garden has so many succulents and other plants, many of which she's propagated herself.

In Studio Space, Melbourne, Illustrator, Homewares, Textiles Tags Illustration, Textile Design, textiles, esther sandler, togetherness design, togetherness designs
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Madeleine and Hug, her cat (if you look closely!)

Madeleine and Hug, her cat (if you look closely!)

Studio Space: Madeleine Stamer

February 29, 2016
Madeleine Stamer's studio, complete with custom-built, huge window

Madeleine Stamer's studio, complete with custom-built, huge window

Madeleine Stamer, of Little Circus Design, is a Melbourne-based artist, illustrator, visual art teacher and all-round clever, super lovely person. When I stumbled across an Instagram photo of her brand new, custom-built studio early this year, I was blown away. It looked like the perfect little place to work, a stand-alone building in the backyard of the amazing house she shares with her husband Karl and two daughters, Wilhelmina and Ada. I'm so glad she was happy to let me loose in the space and snap away, so I can share it here!

Chatting to Madeleine, I discovered she began her creative life as a ceramicist, producing large-scale sculptural pieces, but 10 years ago she picked up paint brushes and started illustrating and hasn't looked back. She now splits her work time between her new studio and teaching art part-time 2 days a week to primary school children.

Madeleine's illustration work features strong, decorative line work, bold, folk-inspired patterns, Mexican-inspired motifs and quirky Australiana themes. She works on large-scale paper and often starts with a rough sketch, then uses traditional brush and ink work and finally, watercolours, to bring her ideas to life. She then produces small print runs of her work, along with other limited edition pieces, which you can buy from her shop. I asked Madeleine some questions about her work and workspace, here they are.

Looking into the studio from outside

Looking into the studio from outside

The view of Madeleine's workspace, standing in the doorway

The view of Madeleine's workspace, standing in the doorway

MADELEINE STAMER: Q&A

How long have you been in the space and where did you work previous to this?

Our builder began transforming our old shed mid-2015 and completed work around September the same year. It took me a few months to properly transition into the studio. A large chunk of my materials and furniture remained in the house where I worked prior. Over the years I’ve been fortunate to share studio spaces with some really amazing creatives but I’ve come to realize that I work best from home, which involves less chatting and procrastination.

How great does this Bride & Wolfe shelf look, and that cactus...

How great does this Bride & Wolfe shelf look, and that cactus...

How many hours a week do you spend there?

Not as much as I’d like at the moment but once the kids resume school I’ll knuckle down into a few new projects. It would do my head in if I had to clock on and off but if I have an urgent deadline, you’ll find me in there around the clock. Otherwise, I’m in and out processing orders or bunkering down for a few solid hours here and there, creating new work.

How, if at all, has the space influenced your work?

I’ve only recently moved in but I’m sure the coziness, solitude and sweet tunes will reveal its magic within my work over the coming months. I’m looking forward to working through the seasons, daydreaming and staring out of the big window, taking in the garden - it will all play its part.

What would your dream workspace look like?

I truly have my dream workspace, lucky me!!! It’s been nearly 20 years in the making but I can finally say I’ve hit the jackpot! My husband and I bit the bullet mid 2015 and decided to transform our old tin garage into a studio. We kept the existing concrete slab and internal framework of the old garage. The original garage was longer than necessary, so we chopped off a third to gain more garden. Our excellent builder, Mr. Radbuild, re-clad the exterior, re-roofed it and he custom built a massive square window inspired by a cute little barn style home that I spotted on Pinterest. I rely on natural light during the day and the cool concrete floor is a blessing on super hot days. We’re pleased that we were able to salvage a large portion of the existing structure and introduced a whirlybird for air circulation, keeping the studio as environmentally sustainable as possible. Our liquidambar tree acts as a humongous umbrella in summer, keeping the temp relatively cool.

Which other creatives inspire you (personally or professionally)?

I feel very blessed to be a part of two amazing Melbourne creative families, The Jacky Winter Group and Greenhouse Interiors. The camaraderie amongst the artists is pretty goddamn special and I love seeing what everyone’s getting up to across their respective social platforms. My husband runs Lantern Printing. I am often bumping into his clients, some whom have become good friends. We often plot and plan art swaps, collaborations and future projects, which gets the creative juices flowing! I rely heavily on Instagram to peek into the world of other creative folk. If you take a look at who I follow, you’ll get a good idea of who floats my boat ;o)

A work in progress, so lovely

A work in progress, so lovely

Some of Madeleine's prints on display

Some of Madeleine's prints on display

Madeleine hard at work

Madeleine hard at work

Thanks so much to Madeleine for sharing her wonderful space!

MADELEINE STAMER: LINKS

Little Circus Design

Online shop

Instagram

Facebook

The Jacky Winter Group

Greenhouse Interiors

Lantern Printing

Best calendar ever

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And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

In Studio Space, Illustrator, Melbourne Tags Illustration, artist, madeleine stamer
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Spencer Harrison and his artwork-in-progress. Photo by Susan Fitzgerald.

Spencer Harrison and his artwork-in-progress. Photo by Susan Fitzgerald.

Studio Space: Spencer Harrison

January 28, 2016

For the first instalment of Studio Space for 2016 I visited the workspace of Spencer Harrison, a graphic artist, designer, illustrator and educator, based in Melbourne. You might have seen some of his work around - he creates eye-catching patterns under the name Rhythm and Repeat and recently designed the excellent book The Craft Companion. He also sets aside time to work on his art practice and on top of that, he teaches graphic design part-time. Oh, and he's got degrees in both nanotechnology and visual communication and he's not yet 30!

His studio is in a bright, light-filled shared space in North Fitzroy, tucked at the end of an alley you can't even see from the main street. The space seems to suit him well - it's an old warehouse, so he doesn't have to be too precious about spills when he's painting, and he's got enough space to jump around from computer-based work to drawing, screen printing and painting.

Artwork for Spencer's upcoming exhibition covers an entire wall of his studio. Photo by Susan Fitzgerald.

Artwork for Spencer's upcoming exhibition covers an entire wall of his studio. Photo by Susan Fitzgerald.

SPENCER HARRISON: Q&A

How long have you been in the space and where did you work previous to this?

I've been at my current studio for about a year and a half now. Previously I've moved around various shared studio spaces around Melbourne, generally based on my needs at the time. Some were great for more graphic design work, others for meeting potential clients and in the case of this one, more suited for art and making a bit of a mess. 

Spencer's studio is at the end of a small number of shared spaces. Photo by Susan Fitzgerald.

Spencer's studio is at the end of a small number of shared spaces. Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

How many hours a week do you spend in your studio? 

Ha ha a lot of time! I go there pretty much every working day and treat it just like going to work. The only difference is I hate 9am starts so generally get there around 10.00-10.30 and work until 6.00 or 7.00. When I'm working on an exhibition though I can end up practically living there and spending long days working on my artworks. I do like to change things up every now and again though and spend a day working from the library or from home. 

The studio entrance. Photo by Susan Fitzgerald.

The studio entrance. Photo by Susan Fitzgerald.

How, if at all, has the space influenced your work?

Like most of the shared spaces I've been in, the people in the spaces have had the biggest influence on me and my work. We often swap tips, have a chat and a cup of tea or even give each other little pep talks when we are in creative slumps. It's given me a lot more confidence professionally and creatively being around other professional creatives and has also lead to lots of opportunities here and there also. On a more practical level, just having the space to have a large amount of various materials and space to create in has given me a lot more flexibility to create and try different things.

Mixing and testing paint colours. Photo by Susan Fitzgerald.

Mixing and testing paint colours. Photo by Susan Fitzgerald.

Colour swatches. Photo by Susan Fitzgerald.

Colour swatches. Photo by Susan Fitzgerald.

What would your dream workspace look like?

The space I have at the moment is pretty close to my dream workshops! I would love to have an even bigger studio with a dedicated screen printing area and washout area, a photography setup and maybe a big garden outside that I can hang in and draw. Oh and if were talking dream studio I'd also have a private in-house DJ that would spin my favourite tracks all day and also an in-house chef...maybe one day!

Initial sketches for each piece in Spencer's upcoming exhibition. Photo by Susan Fitzgerald.

Initial sketches for each piece in Spencer's upcoming exhibition. Photo by Susan Fitzgerald.

Sketches coming to life. Photo by Susan Fitzgerald.

Sketches coming to life. Photo by Susan Fitzgerald.

Which other creatives inspire you (personally or professionally)?

At the moment I'm very inspired by a lot of artists from the past and am spending a lot of time reading about them, how they worked, how they found their ideas and who their influences were. I'm interested in what motivated these artists and their creative processes more so than the finished outcomes. Some favourites at the moment include Keith Haring, Matisse, Picasso, Joan Miro, Jean Arp and many others. Another creative that has inspired me quite a bit recently has been David Hockney, mainly due to his constant curiosity and bravery to constantly be exploring and changing the style of his art. I've also been discovering a lot of amazing Australian artists recently, mainly through exhibitions at the NGV Ian Potter and Heidi Gallery. A couple of my recent favourites have been Robert Delaunay and Melinda Harper, both with such amazing work!

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

A big thanks to Spencer for sharing his thoughts and his space. If you want to see his upcoming exhibition, you've got one chance, as it's only on for one day (which also happens to be his 30th birthday.)

Exhibition:

Synesthesia Friday March 4th 2016, 6.00pm-9.00pm, Work-Shop, 195 Argyle St, Fitzroy.

SPENCER HARRISON: LINKS

Web 

Shop

Instagram

Twitter

Facebook

 

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Spencer's painted some ply near the studio entrance, which is backing onto an apartment development. Photo by Susan Fitzgerald.

Spencer's painted some ply near the studio entrance, which is backing onto an apartment development. Photo by Susan Fitzgerald.

In Studio Space, Illustrator Tags Illustrator, Designer, Graphic Designer, Artist, inner north, spencer harrison, spenceroni
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