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Madeleine and Hug, her cat (if you look closely!)

Madeleine and Hug, her cat (if you look closely!)

Studio Space: Madeleine Stamer

February 29, 2016
Madeleine Stamer's studio, complete with custom-built, huge window

Madeleine Stamer's studio, complete with custom-built, huge window

Madeleine Stamer, of Little Circus Design, is a Melbourne-based artist, illustrator, visual art teacher and all-round clever, super lovely person. When I stumbled across an Instagram photo of her brand new, custom-built studio early this year, I was blown away. It looked like the perfect little place to work, a stand-alone building in the backyard of the amazing house she shares with her husband Karl and two daughters, Wilhelmina and Ada. I'm so glad she was happy to let me loose in the space and snap away, so I can share it here!

Chatting to Madeleine, I discovered she began her creative life as a ceramicist, producing large-scale sculptural pieces, but 10 years ago she picked up paint brushes and started illustrating and hasn't looked back. She now splits her work time between her new studio and teaching art part-time 2 days a week to primary school children.

Madeleine's illustration work features strong, decorative line work, bold, folk-inspired patterns, Mexican-inspired motifs and quirky Australiana themes. She works on large-scale paper and often starts with a rough sketch, then uses traditional brush and ink work and finally, watercolours, to bring her ideas to life. She then produces small print runs of her work, along with other limited edition pieces, which you can buy from her shop. I asked Madeleine some questions about her work and workspace, here they are.

Looking into the studio from outside

Looking into the studio from outside

The view of Madeleine's workspace, standing in the doorway

The view of Madeleine's workspace, standing in the doorway

MADELEINE STAMER: Q&A

How long have you been in the space and where did you work previous to this?

Our builder began transforming our old shed mid-2015 and completed work around September the same year. It took me a few months to properly transition into the studio. A large chunk of my materials and furniture remained in the house where I worked prior. Over the years I’ve been fortunate to share studio spaces with some really amazing creatives but I’ve come to realize that I work best from home, which involves less chatting and procrastination.

How great does this Bride & Wolfe shelf look, and that cactus...

How great does this Bride & Wolfe shelf look, and that cactus...

How many hours a week do you spend there?

Not as much as I’d like at the moment but once the kids resume school I’ll knuckle down into a few new projects. It would do my head in if I had to clock on and off but if I have an urgent deadline, you’ll find me in there around the clock. Otherwise, I’m in and out processing orders or bunkering down for a few solid hours here and there, creating new work.

How, if at all, has the space influenced your work?

I’ve only recently moved in but I’m sure the coziness, solitude and sweet tunes will reveal its magic within my work over the coming months. I’m looking forward to working through the seasons, daydreaming and staring out of the big window, taking in the garden - it will all play its part.

What would your dream workspace look like?

I truly have my dream workspace, lucky me!!! It’s been nearly 20 years in the making but I can finally say I’ve hit the jackpot! My husband and I bit the bullet mid 2015 and decided to transform our old tin garage into a studio. We kept the existing concrete slab and internal framework of the old garage. The original garage was longer than necessary, so we chopped off a third to gain more garden. Our excellent builder, Mr. Radbuild, re-clad the exterior, re-roofed it and he custom built a massive square window inspired by a cute little barn style home that I spotted on Pinterest. I rely on natural light during the day and the cool concrete floor is a blessing on super hot days. We’re pleased that we were able to salvage a large portion of the existing structure and introduced a whirlybird for air circulation, keeping the studio as environmentally sustainable as possible. Our liquidambar tree acts as a humongous umbrella in summer, keeping the temp relatively cool.

Which other creatives inspire you (personally or professionally)?

I feel very blessed to be a part of two amazing Melbourne creative families, The Jacky Winter Group and Greenhouse Interiors. The camaraderie amongst the artists is pretty goddamn special and I love seeing what everyone’s getting up to across their respective social platforms. My husband runs Lantern Printing. I am often bumping into his clients, some whom have become good friends. We often plot and plan art swaps, collaborations and future projects, which gets the creative juices flowing! I rely heavily on Instagram to peek into the world of other creative folk. If you take a look at who I follow, you’ll get a good idea of who floats my boat ;o)

A work in progress, so lovely

A work in progress, so lovely

Some of Madeleine's prints on display

Some of Madeleine's prints on display

Madeleine hard at work

Madeleine hard at work

Thanks so much to Madeleine for sharing her wonderful space!

MADELEINE STAMER: LINKS

Little Circus Design

Online shop

Instagram

Facebook

The Jacky Winter Group

Greenhouse Interiors

Lantern Printing

Best calendar ever

Best calendar ever

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

In Studio Space, Illustrator, Melbourne Tags Illustration, artist, madeleine stamer
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Jem Selig Freeman in the Like Butter studio. Photo by Susan Fitzgerald.

Jem Selig Freeman in the Like Butter studio. Photo by Susan Fitzgerald.

Studio Space: Like Butter

December 30, 2015

STUDIO SPACE: LIKE BUTTER

For the latest instalment of Studio Space I visited the amazing Kensington, Melbourne workshop of Like Butter, a design and fabrication business owned and run by industrial designer Jem Selig Freeman and sculptor Laura Woodward. You've probably seen their work around town, much of it made from ply &/or steel - they make quirky bookshelves, distinctive crates, stools, tables and more.

When I met Jem and Laura in around 2008 they worked from the basement of the Younghusband Woolstores (where I once had a studio). For the last 14 months they've been in a huge, light-filled space at the front of the same building complex.

Jem says he spends about 60 hours a week there, which doesn't surprise me - he's often posting Instagram updates of his creations at all times of the day or night. And what does a dream workspace look like? According to Jem, it would be "bright white with bags of natural light and amazing dust extraction". In the meantime, they look pretty well settled in their current space. I hope you enjoy taking a look around.

Jem's inspiration: Sonia Rentsch, Moth Design, Laura Woodward.

LIKE BUTTER: LINKS  

Website | Instagram | 

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

Like Butter's workshop exterior, on Elizabeth Street. Photo by Susan Fitzgerald.

Like Butter's workshop exterior, on Elizabeth Street. Photo by Susan Fitzgerald.

Tools of the trade. Photo by Susan Fitzgerald.

Tools of the trade. Photo by Susan Fitzgerald.

So much ply. Photo by Susan Fitzgerald.

So much ply. Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Great music set-up

Great music set-up

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

Seats in the making. Photo by Susan Fitzgerald.

Seats in the making. Photo by Susan Fitzgerald.

This is just part of the huge workshop. Photo by Susan Fitzgerald.

This is just part of the huge workshop. Photo by Susan Fitzgerald.

The welding area. I'm glad to know I'm not the only one who still listens to a super old radio/cassette deck. Photo by Susan Fitzgerald.

The welding area. I'm glad to know I'm not the only one who still listens to a super old radio/cassette deck. Photo by Susan Fitzgerald.

Job sheets. Photo by Susan Fitzgerald.

Job sheets. Photo by Susan Fitzgerald.

Such great bright windows. Photo by Susan Fitzgerald.

Such great bright windows. Photo by Susan Fitzgerald.

Crates! Photo by Susan Fitzgerald.

Crates! Photo by Susan Fitzgerald.

Crate number 618. Photo by Susan Fitzgerald.

Crate number 618. Photo by Susan Fitzgerald.

Beware of cats. Photo by Susan Fitzgerald.

Beware of cats. Photo by Susan Fitzgerald.

Studio door. Photo by Susan Fitzgerald.

Studio door. Photo by Susan Fitzgerald.

Photo by Susan Fitzgerald.

The Kensington station underpass, just around the corner. Photo by Susan Fitzgerald.

The Kensington station underpass, just around the corner. Photo by Susan Fitzgerald.

 

 

In Studio Space, Melbourne Tags Studio Space, Kensington, Designer
1 Comment
Leslie Keating cleaning a screen in the old hairdresser wash trough. Photo by Susan Fitzgerald.

Leslie Keating cleaning a screen in the old hairdresser wash trough. Photo by Susan Fitzgerald.

Studio Space: Leslie Keating of Maze & Vale

November 10, 2015

It's with much excitement that I launch Studio Space, featuring the studios of other artists/creatives. I'm so inspired by other people's workspaces and would like to investigate how a space can influence creatives' artwork and practice. It's also fun taking a close look at the work of others and getting to peek into their life/space/work, so I figure other people will like to see this stuff too. 

What better place to start the series than with a fellow screen printer who's also based in West Footscray*, the lovely Leslie of Maze & Vale. Leslie's studio is a former hairdresser, complete with an old trough that is perfect for washing screens, and she moved in about 1.5 years ago.

Looking into the Maze & Vale studio from the entrance. The old hairdresser trough is perfect for washing screens. Photo by Susan Fitzgerald.

Looking into the Maze & Vale studio from the entrance. The old hairdresser trough is perfect for washing screens. Photo by Susan Fitzgerald.

Leslie's background is in graphic design and she has a passion for textiles. She previously created quilts, toys and more under the name onegirl designwrks. In 2011, Leslie decided to make a sideways jump and started designing and screen printing her own fabric, and she hasn't looked back. 

Leslie now sells her fabric (and printing kits and more) online and at select design and quilting markets. She also holds screen printing, block printing and quilting workshops at her studio and teaches classes for The Craft Sessions and Work-Room Melbourne. 

There's also a wee interview with Leslie further down but first, here are the photos I took of the Maze & Vale studio space.

* Leslie left this space, moved to Riverside Studios in Footscray and is now based in Yarraville, where she runs a shop called Fibresmith, selling fine cloth and yarn (and sometimes printing Maze and Vale).

One of Leslie's beautiful freeform quilts. Photo by Susan Fitzgerald.

One of Leslie's beautiful freeform quilts. Photo by Susan Fitzgerald.

So many beautiful colours. Photo by Susan Fitzgerald.

So many beautiful colours. Photo by Susan Fitzgerald.

Pegboard excellence. Photo by Susan Fitzgerald.

Pegboard excellence. Photo by Susan Fitzgerald.

Lots of inks. Photo by Susan Fitzgerald.

Lots of inks. Photo by Susan Fitzgerald.

Colours and more colours. Photo by Susan Fitzgerald.

Colours and more colours. Photo by Susan Fitzgerald.

The printing table and dropcloth. Photo by Susan Fitzgerald.

The printing table and dropcloth. Photo by Susan Fitzgerald.

Dropcloth close-up. Previous dropcloth pieces are available to buy from the Maze & Vale shop. Photo by Susan Fitzgerald.

Dropcloth close-up. Previous dropcloth pieces are available to buy from the Maze & Vale shop. Photo by Susan Fitzgerald.

Fabric, fabric and more fabric. Photo by Susan Fitzgerald.

Fabric, fabric and more fabric. Photo by Susan Fitzgerald.

Clothpot kits - you can buy these from the Maze & Vale website. Photo by Susan Fitzgerald.

Clothpot kits - you can buy these from the Maze & Vale website. Photo by Susan Fitzgerald.

Fabulous succulent hanging all the way down the front window. Photo by Susan Fitzgerald.

Fabulous succulent hanging all the way down the front window. Photo by Susan Fitzgerald.

The studio's exterior. Photo by Susan Fitzgerald.

The studio's exterior. Photo by Susan Fitzgerald.

LESLIE KEATING OF MAZE & VALE: Q&A

How many hours a week do you spend in your studio?

It really depends - I work around my kids’ schedules. Some weeks I might only spend a few hours in the studio and do what work I can at home but a normal week, I probably spend about 20 hours there. In the weeks leading up to a market that number usually doubles.

What's your favourite thing about the space?

The light is a huge bonus feature. It makes taking product shots really easy, but my favourite thing is my four meter long printing table. Small by professional screen printing standards, it works well for me and also gives me the space to spread out when I’m putting together kits or basting a quilt.

How, if at all, has being in this space influenced your work?

Having great light available has definitely improved my photography and made my Instagram stream more uniform, which strangely pleases me. Having a bigger print table allows me to be more productive during studio time.

What would your dream workspace look like?

My dream workspace would be a custom built space at home, ideally on a first floor with a bush or ocean view. About 60-80 square meters with bright white walls, worn wooden floors, maybe some exposed brick or beams, a pitched roof and huge windows perfectly placed to get the best light. It would be big enough to have both my printing and sewing/quilting equipment set up in their own areas and plenty of storage space… Sigh, so nice to dream!

Which other creatives are you influenced by?

Oh so many! Lately, I’m really inspired by the patchwork/quilting of Anna Farago, Season Evans, Maura Grace Ambrose and Meg Callahan, and the painting of Julian Meager, Stephen Baker and Tiel Seivl-Keevers.

MAZE & VALE: LINKS

Maze & Vale Shop

Etsy Shop

Workshops

Instagram

Facebook

I hope you liked this first instalment of Studio Space. It sure was fun for me to begin this project, and super inspiring - visiting Leslie's studio and looking at some of her beautiful freeform quilts made me want to go and sew one myself right away.

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace. Thanks!

 

In Studio Space, Melbourne, Textiles, Homewares Tags Studio Space, West Footscray, Graphic Designer, Textile Designer, Screen Printing, Workshop, leslie keating, maze and vale, maze & vale, fibresmith
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